Figured I'd follow the bicycle blogging conventions and post one of my bikes, my most recent build. As you may have gleaned (or already known, if you know me), I'm a big fan of Rivendell bicycles and their philosophy of what makes good bikes. Having been a fan for years, though, I haven't really been able to afford more than a few of their parts and accessories, and even a few of those I got at heavy discount from their garage sales (for instance, I was one of the lucky few that got one of the $35 slightly mis-manufactured Nigel Smythe Country Bags). However, late last year I decided to take the plunge, and, aided by their layaway program, I acquired one of their beautiful frames to build up myself, and I'm really happy with what I came up with.
Some pre-history on this bike: for most of college years in Berkeley and my post-college years living in San Francisco, I had a "beater" fixed gear built up from an old Schwinn World Sport Frame, an old bent-then-straigthened 1" threadless fork off my touring bike (which, with a long axle-crown measurement, slackened the angles of the whole bike somewhat), the first wheel I had ever built in the rear, and Nitto "North Road" swept-back (3 spd style) bars. It was a real mongrel with a badly flaking rattle-can paint job, but man, that bike rode well, and it was my main form of transportation for many years. I would ride it all over the city, to my job, to late nights at the bar. The relaxed-yet-efficient position from the slack angles and upright bars made it easy to ride, and I never worried about locking it up anywhere.
Then I moved up to Sacramento, got a longer commute which I normally did on my road or touring bike, and the beater fell into disuse. For a while, I kept it at my then-girlfriend-now-wife's house in SF to ride on the weekends there. Then, a deal came up on a cool classic bike (an old Takara "Overland" touring bike in a massive 66cm size), and the beater was sold to help finance that purchase. My thinking was that I'd trade my beater for a slightly nicer and maybe better-fitting ride.
For a number of reasons, the Takara ended up not really meeting my expectations (more on that later), and late last year, I found myself pining after my old townie, how it was so easy to hop on and "just ride" for whatever purpose. I even went so far as to email the guy that I sold it to, but he was enjoying it and didn't really want to sell it. So, one evening over dinner I was discussing my wants with my (by that time) fiance. The conversation went something like this:
Her: "So what do you really want?"
Me: "I want a comfortable fixed gear, probably with upright bars, for everyday riding, something I can just jump on and go."
Her: "It sounds like you want a Rivendell."
Me: "Yeah, I guess I do." (Translation: "Well, duh--why hadn't I thought of that?" Yes, I have an awesome wife).
At the time, Rivendell was having a deal to blow out the last of the SimpleOne, the Made-in-Taiwan successor to the Quickbeam (which had been made in Japan, by Toyo). So, we made a trip down to Walnut Creek one weekend with the intention of seeing about a 62cm SimpleOne, the largest size they made. However, after measuring my fairly large PBH (somewhere around 96cm, if I remember correctly), Vince at Rivendell wasn't convinced that I'd fit well on the 62cm SO, even with Albatross or similar bars. He said, somewhat mischievously, "Lemme check what I have up in the attic" and disappeared into some unseen part of the Rivendell complex. He returned with an Orange 64cm Quickbeam frame. My jaw hit the floor. The Quickbeam had long been one of my favorite Rivendells, and Orange was my favorite color of the three production runs--after all, it had been the color of all my favorite Grant Peterson designs (XO-1, Rambouillet, and Quickbeam). I had thought that my chance to own a Quickbeam, much less one of the orange ones, was long gone, so when Vince pulled out this beauty, I was sold. It was basically NOS--I guess the story was that it had been partially built up for another customer (there were marks on the dropouts where wheels had been put on, for instance) but the customer had pulled out, so it never got sold, until I came along. I put down a layaway deposit and four months later, it was mine!
It took me another four months after that (my life got busy with a move and a marriage) to acquire all the parts and get it built up, but here it is, in all of its glory. I've been riding it for about a month, and it's perfect for exactly what I wanted it for--everyday, hop-on-and-go riding. I still have further changes planned, and some of the parts are temporary, but this is what it looks like for now.
Frame/Fork: Rivendell Quickbeam 64cm, Orange
Headset: Tange (Levin?)- stock, came with the bike from Rivendell. Repacked with Phil Wood Waterproof Grease.
Handlebars/Stem: Nitto Bullmoose, 200mm extension, unpainted. I treated them with some cheapo hardware store spray-on clear coat, but it didn't work--they're rusting underneath. I'm thinking about trying some different bars anyways (Civia Adlrich 70 degree), so these may be coming off.
Brake Levers: Tektro FL 750. Simple, minimalist, cool-looking.
Brakes: Tektro Oryx cantilevers. Front setup with TRP fork-crown mounted cable stop.
Cranks: Sugino AT (175mm). Came off an old Specialized Sequoia. Surly 42T stainless steel singlespeed chainring.
BB: Shimano UN-55, 118mm (gives good 42mm chainline with the AT's). Replaced the stock, shouldered aluminum NDS cup with a plastic cup from a UN-26 after the original was loosening on me. More on that later.
Chain: SRAM 8spd.
Pedals: MKS Touring Lite with XL Power Grips, "custom fit" with the Matt Chester Method. These are great for fixed gear townie riding! All of the advantages of toe clips without any of the drawbacks (i.e., I can still center the balls of my giant feet over the pedals).
Seatpost: Nitto S-84 Lugged Steel "Wayback" post. I like setback.
Seat: WTB Speed V (with Nitto Saddlebag grip). Pulled off another bike, this is temporary--I've got a Selle Anatomica Titanico X coming.
Wheels: Surly "Ultra New" Hubs, Rear 120mm Fixed/Free (these are great!); H+Son TB14 rims, Wheelsmith 14/15g DB spokes, Continental "Cyclocross Speed" tires in 700cx42mm (listed). Surly 17t 3/32" fixed cog, All-City track lockring.
Possible changes include the aforementioned Civia bars with a Technomic stem, a lower-geared freewheel for the flop side of the hub for hillier rides, fenders and slightly narrower and slicker tires for the winter (probably Jack Browns or Schwalbe Kojaks, if I can get my hands on them).
Wednesday, September 19, 2012
Wednesday, September 12, 2012
Learning from "Captain Slow": Towards a Calculus of Fun for Road Bicycles
As an introduction for this post, I'm going to use a couple of articles from what might be
considered different worlds, but that are dealing with very similar issues in
my book:
This first is by the british motoring journalist James "Captain Slow" May, of Top Gear
fame, on a different concept of what a "supercar" (that is, a technically advanced car for spirited driving) might be, if we gave up idea that super cars are about going faster:
The other is by the outspoken and oft-controversal bicycling journalist/
randonneur Jan Heine, about what would constitute a "versatile performancebike" in his mind, an alternative to the widely used carbon fiber racingbike or derivative that is most commonly sold to spirited cyclists in bikeshops these days.
Both of these guys, in their own way, aren't struggling with the bleeding
edge of the envelope. It's also not a question of usefulness: both would
probably have separate (albeit related) ideas of what a vehicle needs to be
useful as an everyday mode of transportation. Instead, they're struggling with the question
of building a vehicle (car or bicycle) that fits the need of a person that
heads out on his or her bicycle or in his or her car to have some. Instead of asking about the calculus of speed
or the calculus of everyday usefulness, they're both attempting to develop a
calculus of fun.
In May's case, it's pretty straightforward: acceleration and cornering are
fun. But not acceleration from a standstill up to 200 mph (i.e., not a drag
race), but acceleration on the road, out of a tight corner or passing slower
moving traffic--acceleration from 30-60mph. So: a lightweight car with a
smallish engine that loves to rev. I'm inclined to agree: my lightweight Honda,
on a mountain road, is enormous fun with it's 4-cyl, 127hp engine, especially
if you keep the revs high enough that the variable valve timing is working. My
friend's Toyota MR-2, which in my mind is pretty close to what May is talking
about, is even more fun in the same situation. Any more power, speed, and
attendant bulk would likely exponentially increase the amount of terror, and
not necessarily increase the fun. Keep things small, simple, and zippy. Done.
With Heine, however, the calculus of fun in bicycles is a bit harder to
articulate, it seems like. Unlike May, he doesn't (necessarily) start out by
articulating specific behaviors that are fun (like acceleration and cornering).
He mentions the ability of the frame to help the rider "generate more
power with less fatigue." In my mind, the ability to produce power without
fatigue is mostly about fit: properly arranging bars, seat, and pedals such
that the body is in a comfortable position to use its legs, pelvis, and lower
back to lay down some watts, and at the same time be comfortable enough to ride
for a while without pain. However, fit isn't everything. Heine also discusses
how frames materials should be carefully selected to match the rider and their
pedaling, to create a frame that feels "lively" and "eager to
go" under the rider. However, we don't necessarily get a specific sense of
what "liveliness" is. And this, in think, is where we run into the
limits of cycling terminology and the ability to describe the bicycling
behaviors that we find "fun."
What is “fun” when in comes
to bicycles?
Of course, that’s almost a
too-broad question to ask, dependent entirely on the type of riding you’re
doing. If you need to haul heavy load of
groceries or a drill press, a cargo bike is going to be enormous amounts of
fun, but probably not so fun if you’re trying to ride techy singletrack with
lots of rocks, roots, and whoop-de-doos.
Unless, of course, you get a kick out of riding with the “wrong” bike
for the job, which is entirely valid as well.
But the point is, I’m willing to admit that for some riders, a bike is
fun because it does exactly what they need it to do and nothing more: it
carries what they want/need to carry, it keeps relatively dry and comfortable,
it soaks up the bumps pretty well, and maybe it lights up the road ahead when
it gets dark. Lord knows, finding a bike
that will do all of these things capably is hard enough, and if you are lucky
enough to have one, you can well appreciate the enjoyment of riding it. Indeed, much of Heine’s writing is focused on
exactly these elements of bicycle design, because they are the elements
required by his preferred type of riding (long distance randonneuring), and
after his short discussion of liveliness he spends the rest of the article
talking about tire and fender clearances.
But, let’s narrow it down to
a particular type of riding, say recreational road riding on hilly terrain on
rides from 1-5hrs. Not competitive
racing, nor timed brevet events.
Basically, the vast majority if my own recreational riding, riding just
to get out for a few hours, enjoy yourself, and stay reasonably fit. And, since I don’t really want to talk about
wheels, I’ll just say that let’s assume the frame has appropriate clearances
and brakes for whatever type of wheels you find appropriate to that riding (in
my case, it’s light-ish road wheels with alloy rims, 32 spokes, and light-ish
tires in the 28-38mm range). What other
qualities can we instill in a bicycle frame and components to make the riding
more fun and rewarding?
Some might say, once you’ve
nailed the appropriate wheels and other components, your 90% there, not much
more to talk about. But I would
disagree. My Takara and my Quickbeam are
set up close enough, but the Takara, with is straight gauge, standard-diameter,
4130 frame is a complete, energy sucking dog compared to the nice, “lively”
feel of the Quickbeam with its double butted, oversized, nicer-steel
(Ishiwata?) tubing. I’ve ridden road
bikes that are definitely more responsive than my Casseroll. What makes them better?
One simple answer, which has
dominated the bicycle industry for the last 25+ years, is “stiffness.” It goes like this: some of the energy of
pedaling a bicycle frame goes into flexing the frame, not rotating the
wheels. The less energy we can lose in
flexing the frame, the more energy will be transferred directly to the wheels,
the faster the bicycle will respond to pedaling input and accelerate. So, steel frames went from standard-diameter
to oversize, resulting in stiffer tubes (all other things being equal). Oversize, thin wall aluminum tubing (joined
by TIG welding) became popular. But, as
anybody who rode an early 1990’s Cannondale will tell you, things also got less
comfortable out on the road. So, along
comes carbon fiber. The ability to mold
material by hand, free of the difficulties of forging and welding, allows us to
put material exactly where it’s needed.
We’re able to make bikes that are super-stiff in the drivetrain while
absorbing more shock than the super-stiff bikes of old. They can accelerate with the best of them
while still being comfortable to ride over real-world, potholed roads. And indeed, maximizing stiffness while
retaining comfort seems to have become the only criteria by which bikes are
evaluated in the mainstream cycling media.
Each new model of bike, as a matter of course, has to be stiffer than
its predecessor by some quantifiable degree.
And the hardest part of being a bike reviewer, it seems, is figuring out
new ways to say that now hackneyed phrase: “Laterally stiff and vertically
compliant.”
But is acceleration—and its
related frame quality, stiffness—what it comes down to in the calculus of fun,
as it is for cars? I’m not so sure. And judging by the resurgence in popularity
of steel frames among recreational riders, lead by figures such as Heine and
Grant Peterson of Rivendell, it seems like others might feel the same way. Heine, for one, has been one of the most
outspoken advocates against frame stiffness, saying that his experience and
testing have shown that more flexible frames will feel and respond the best for
some (all?) riders, an effect he ascribes to the elastic qualities of frame
tubing and its ability to flex “in synch” with the pedaling of the rider and
describes as “planing,” a term borrowed from sailing. This is perhaps his most controversial
viewpoint, and it seems difficult to pin down the exact calculus of it. He advocates for more flexible bikes through
the usage of non-oversize, lightweight steel tubing, but hasn’t said much about
how a framebuilder can tune these characteristics to particular riders and
riding styles. Is a large (200lbs+) rider
going to benefit from the same lightweight tubes, or might some riders
experience “planing” even with oversize tubing?
Furthermore, it’s hard to say, but it sounds like Heine basically also
believes that acceleration is the overall calculus here, but that it can be
arrived at in a much different way than the “stiffness” obsession of mainstream
bicycle manufacturers.
Acceleration is certainly
important, and if you like track racing, road sprinting, BMX, etc., it is an
important thing to optimize for. For my
type of road riding, however, I’m not so sure about the whole acceleration
thing. Certainly, it can be nice to feel
a bike squirt forward when you shift up and go for the top of the hill or the
town line sign. But it’s also been my
experience that such bikes lose momentum just as quickly as they gain it, which
can be more fatiguing as you try to find a rhythm on a climb. This also may come down to riding style,
again: I’m a big guy, much more of a Jan Ulrich in my climbing style than an
Alberto Contador. But I think for me,
for a bike to feel “fun,” it should not only get up to speed reasonably
quickly, but balance that with the ability to carry momentum, be it up hills,
around corners, or over potholes.
Personally, I like a bike
that responds well to my pedaling inputs—that gets to speed fairly
quickly—while at the same time, not losing momentum through the “dead” spots in
pedaling input or over potholes. Of
course, this has a lot to do with wheel size and gearing, the cadence at which
you climb. For people who climb with
much faster cadences, the dead spot is only a fraction of a second, so any lost
momentum there is minimal. However, if
you’re like me and diesel away up climbs, you may find that losing momentum
through the dead spot is pretty annoying, as your speed starts to resemble a
sin wave. So, I’m of the opinion that
there is something to steel frames that, aside from just having more mass and
thus more momentum, have some drivetrain “springiness” to them, giving back
some energy as you let off the pedal force slightly through the “dead
spots.” Conversely, it makes sense to
think about how gearing can be matched to frame characteristics. My Salsa Casseroll doesn’t have a lot of the
type of springiness that gives something back through the dead spot, so I’ve
taken climbing in a lower gear with a higher cadence, and have even considering
going to a mountain cassette in the back, although the current 8spd Campagnolo
wheelset (hey, it was cheap at a bike swap) doesn’t provide a lot of choice
when it comes to cassette compatibility.
Thinking about flexiness
brings me to another idea about fun frames: perceived durability. For a frame really to be fun, it has to feel like whatever abuse we’re dishing
out at it, be it rough or dirt roads, heavy braking, or out of the saddle
pedaling, is well within the margin of error for what the frame (and
components) can handle. If I feel like
my bike can’t take my pedaling power or the shock of rolling over broken
pavement at 40mph carrying my mass, I’m going to back off a little, and that’s
not really fun. And I think this is the
feeling that most people associate with “stiffness”: the ability for a bicycle
frame to feel like it can carry them without worrying about it breaking. So while flexiness may feel good to people
like Jan Heine, I’m willing to bet that others are disconcerted by their bottom
bracket swaying about when they get out of the saddle to give it the
beans. It can also lead to other
problems—such as derailleur rub and ghost shifting—which, while not necessarily
safety issues, definitely don’t instill confidence in the rider. Furthermore, while I think overall, lighter
weight bicycles are good thing, there is a limit for me. No matter how many
videos you show me of people banging carbon fiber frames with hammers to show
their durability, I’m just not going to trust a 15lb carbon bike as much as a
25lb steel bike over rough roads or down the occasional single track that I
like to take my road bike.
I say “perceived” because I
think most contemporary bicycles are built by liability-minded manufacturers
that build a pretty big margin of error into most of the products they sell,
and most bicycle frames out there can take a fair amount of abuse above and
beyond their intended purpose without breaking.
Furthermore, it is obvious that people’s perceptions vary: Jan Heine
isn’t as concerned about BB flex as Jan Ulrich might be. So while it may not actually be a problem in
terms of real durability, perceived durability is something we all experience
while riding, and so it can be an important thing to think about while thinking
about how you want a frame to behave and feel.
Of course, with enough work and critical reflection, we can also start
to change our subconscious perceptions, but people may find this more or less
difficult than being aware of what they like to perceive and seeking out those
characteristics.
So looking back, and
comparing calculus of fun when it comes to bicycles to that of cars, we see
that things are bit more complicated in our world than they are for Mr.
May. Stiffness and acceleration can be
good, but so can some springiness and the ability to carry momentum. Lightweight is good, but so is some bulk that
helps you have confidence in your bicycle.
As I’ve written, it’s also become clear some of the behaviors that I
might start to associate with fun, in the same way that mid-range acceleration
and cornering are fun for James May.
Those behaviors are: climbing; getting out of the saddle for efforts;
riding at speed over rough (aka real-world) roads, with the occasional foray
away from pavement. But there’s still a
lot to discuss. How do we design frames,
wheels, and components together thinking about these variables? What about handling, and its relationship to
fit?
As the “towards” in this
title suggests, I didn’t intend to have a fully-fleshed out theory in this
post, but simply to lay out some ideas I had and start a discussion; hopefully
we can add to this and flesh out the theory more going forward. So, dear readers, what do you think? What are the variables in your “calculus of
fun?”
Subscribe to:
Posts (Atom)